نامه هنرهای نمایشی و موسیقی، جلد ۱۰، شماره ۱۹، صفحات ۳۹-۵۱

عنوان فارسی تحلیل انگاره‌های پسااستعماری در نمایشنامۀ کلیدداران اثر میلان کوندرا
چکیده فارسی مقاله مطالعات پسااستعماری یکی از حوزه‌های مطالعات جدید در مورد کشورهای جهان سوم است؛ و نگرشی است انتقادی به مجموعۀ رهیافت‌های نظری که با تأکید بر پیامدهای استعمارگرایی به تحلیل گفتمان استعماری می‌پردازد. شناخت دیدگاه کلی پسااستعماری، نیازمند بررسی و تطبیق در آثار هنری و ادبی است که معرفتی را در پاسخ به آن به وجود می‌آورد. در این مقاله، تحلیل پسااستعماری در نمایشنامۀ کلیدداران، نخستین اثر نمایشی میلان کوندرا، مورد بررسی قرار گرفته است. نمایشنامۀ کلیدداران در سال 1961 نوشته شده است. کلیدداران زمان جنگ جهانی دوم را ترسیم می‌کند. در این مقاله مؤلفه‌های پسااستعماری در نمایشنامه مورد کنکاش قرار گرفته است.
کلیدواژه‌های فارسی مقاله پسا استعماری، نمایشنامه، کلیدداران، میلان کوندرا،

عنوان انگلیسی Postcolonial Analysis of Milan Kundera’s Works Focusing on the Play the Owner of the Keys
چکیده انگلیسی مقاله Postcolonial study is one of the new research areas regarding countries of the Third World. It is also a critical view of the set of theoretical approaches that analyze the colonial discourse by focusing on the consequences of postcolonialism. Understanding the general viewpoint of postcolonialism requires surveying and comparing artistic and literal works which will yield cognition and knowledge. In this article, postcolonial analysis has been investigated in Milan Kundera’s first play called The Owner of the Keys. The Owner of the Keys was written in 1961 and depicted the situation at World War II. In this paper, postcolonial components are studied in this novel. Postcolonial study is one of the new research areas regarding countries of the Third World. It is also a critical view of the set of theoretical approaches that analyze the colonial discourse by focusing on the consequences of postcolonialism. Understanding the general viewpoint of postcolonialism requires surveying and comparing artistic and literal works which will yield cognition and knowledge. In this article, postcolonial analysis has been investigated in Milan Kundera’s first play called The Owner of the Keys. The Owner of the Keys was written in 1961 and depicted the situation at World War II. In this paper, postcolonial components are studied in this novel. Postcolonial study is one of the new research areas regarding countries of the Third World. It is also a critical view of the set of theoretical approaches that analyze the colonial discourse by focusing on the consequences of postcolonialism. Understanding the general viewpoint of postcolonialism requires surveying and comparing artistic and literal works which will yield cognition and knowledge. In this article, postcolonial analysis has been investigated in Milan Kundera’s first play called The Owner of the Keys. The Owner of the Keys was written in 1961 and depicted the situation at World War II. In this paper, postcolonial components are studied in this novel. Postcolonial study is one of the new research areas regarding countries of the Third World. It is also a critical view of the set of theoretical approaches that analyze the colonial discourse by focusing on the consequences of postcolonialism. Understanding the general viewpoint of postcolonialism requires surveying and comparing artistic and literal works which will yield cognition and knowledge. In this article, postcolonial analysis has been investigated in Milan Kundera’s first play called The Owner of the Keys. The Owner of the Keys was written in 1961 and depicted the situation at World War II. In this paper, postcolonial components are studied in this novel. Postcolonial study is one of the new research areas regarding countries of the Third World. It is also a critical view of the set of theoretical approaches that analyze the colonial discourse by focusing on the consequences of postcolonialism. Understanding the general viewpoint of postcolonialism requires surveying and comparing artistic and literal works which will yield cognition and knowledge. In this article, postcolonial analysis has been investigated in Milan Kundera’s first play called The Owner.
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فارغ‌التحصیل کارشناسی ارشد ادبیات نمایشی از دانشکدۀ هنرهای نمایشی و موسیقی دانشگاه تهران.


نشانی اینترنتی http://dam.journal.art.ac.ir/article_726_9a6d9be8a796a40edb5706ba60a0120a.pdf
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